Aye, the children of men shall progress
onward and upward to the great goal.

Children of Light shall they become.

Flame of the flame shall their Souls ever be.

Knowledge and wisdom shall be man's in the great age for he shall approach the eternal flame, the Source of all wisdom, the place of beginning, that is yet One with the end of all things.

Aye, in a time that is yet unborn, all shall be One and One shall be All.

Man, a perfect flame of this Cosmos, shall move forward to a place in the stars

Aye, shall move even from out of this space-time into another beyond the stars.

YOU MAYBE FOUND IT SUPRISING, BUT US AND UK "OCCULTISTS" ARE SAME SORT AS UK OR US POLITICS😂😂😂

TOTALLY STOOPID MORONZ...

ALL THOSE BLOOD MAGIX IS JEWISH REPTILIAN INDOCTRINATION...

HAVE NOTHINK WITH HERMES TEACHING...

relating to an ancient occult tradition encompassing alchemy, astrology, and theosophy.
"some saw in the Hermetic texts an anticipation of Christianity"

difficult to understand because intended for a small number of people with specialized knowledge.

"obscure and hermetic poems"

Origin

mid 17th century (in hermetic (sense 2)): from modern Latin hermeticus, from Hermes, identified with Thoth, regarded as the founder of alchemy and astrology

From Middle English here, hir, hire, from Old English hire (“her”), from Proto-Germanic *hezōi (dative and genitive singular of *hijō). Cognate with North Frisian hör, Saterland Frisian hier, hiere (“her”), West Frisian har (“her”), Dutch haar (“her”), German Low German hör (“her”), German ihr (“her”).

🤫👉🏻❤️

The Sumerian tablets never actually describe what any of the mes look like, but they are clearly represented by physical objects of some sort. Not only are they stored in a prominent location in the E-abzu, but Inanna is able to display them to the people of Uruk after she arrives with them in her boat. Some of them are indeed physical objects such as musical instruments, but many are technologies like "basket weaving" or abstractions like "victory". It is not clarified in the poem how such things can be stored, handled, or displayed.

Not all of the mes are admirable or desirable traits. Alongside functions like "heroship" and "victory" are "the destruction of cities", "falsehood", and "enmity". The Sumerians apparently considered such evils and sins an inevitable part of humanity's experience in life, divinely and inscrutably decreed, and not to be questioned.

heroship (usually uncountable, plural heroships)

The character or personality of a hero.

hero
/ˈhɪərəʊ/

Origin

Middle English (with mythological reference): via Latin from Greek hērōs .

Osiris was the judge of the dead and the underworld, and the agency that granted all life, including sprouting vegetation and the fertile flooding of the Nile River. He was described as "He Who is Permanently Benign and Youthful" and the "Lord of Silence". The kings of Egypt were associated with Osiris in death – as Osiris rose from the dead so they would be in union with him, and inherit eternal life through a process of imitative magic.

inherit; 3rd person present: inherits; past tense: inherited; past participle: inherited; gerund or present participle: inheriting

1.
receive (money, property, or a title) as an heir at the death of the previous holder.

"she inherited a fortune from her father"

come into possession of (something) as a right (especially in biblical translations and allusions).

"master, what must I do to inherit eternal life?"

merit
/ˈmɛrɪt/

Origin

Middle English (originally in the sense ‘deserved reward or punishment’): via Old French from Latin meritum ‘due reward’, from mereri ‘earn, deserve’

In Sumerian mythology, a me (𒈨; Sumerian: me; Akkadian: paršu) is one of the decrees of the divine that is foundational to those social institutions, religious practices, technologies, behaviors, mores, and human conditions that make civilization, as the Sumerians understood it, possible. They are fundamental to the Sumerian understanding of the relationship between humanity and the gods.

Maat or Maʽat (Egyptian: mꜣꜥt /ˈmuʀʕat/, Coptic: ⲙⲉⲓ)[1] refers to the ancient Egyptian concepts of truth, balance, order, harmony, law, morality, and justice. Maat was also the goddess who personified these concepts, and regulated the stars, seasons, and the actions of mortals and the deities who had brought order from chaos at the moment of creation. Her ideological opposite was Isfet (Egyptian jzft), meaning injustice, chaos, violence or to do evil.

Cuneiform texts indicate that the word m3ˤt was pronounced /múʔʕa/ during the New Kingdom of Egypt, having lost the feminine ending t.[2] Vowel assimilation of u to e later produced the Coptic word ⲙⲉⲉ/ⲙⲉ "truth, justice".[3]

Maia's tomb was discovered in 1996 by the French archaeologist Alain Zivie and his team in the vicinity of the Bubasteion complex dedicated to the deity Bastet at Saqqara. The outside of the tomb is built on limestone with four pillars forming a square. The side walls of the entrance are decorated with colourful and well preserved inscriptions. A relief in the tomb's first chamber shows Maia sitting on a chair with Tutankhamun on her lap and surrounded by six people honouring the young king. On the opposite wall there is a badly damaged scene showing Maia in front of the king. Only three limestone blocks of these scenes are preserved.[4] A door leads to a second longer chamber found full of rubble and partly burnt mummified cats.

mummy1
/ˈmʌmi/

noun: mummy; plural noun: mummies
(especially in ancient Egypt) a body of a human being or animal that has been ceremonially preserved by removal of the internal organs, treatment with natron and resin, and wrapping in bandages.

"the mummy of Tutankhamen"

Origin

late Middle English (denoting a substance taken from embalmed bodies and used in medicines): from French momie, from medieval Latin mumia and Arabic mūmiyā ‘embalmed body’, perhaps from Persian mūm ‘wax’.

mummy
/ˈmʌmi/
INFORMAL•BRITISH
noun: mummy; plural noun: mummies
one's mother.

"he loves his mummy"

Origin

late 18th century: perhaps an alteration of earlier mammy.

The second room is dedicated to the burial rites associated with Maia. Maia is shown in front of offering bearers.[5] She is depicted as a mummy in relation to the opening of the mouth ritual and she is standing before the underworld god Osiris.[6]Another door opens to a third chamber, a hall with pillars, also found full of rubble. The pillars are decorated with the image of Maia. The back of the room shows a stela carved into the rock with Maia in front of Osiris.[7] From this hall, a shaft leads to a lower level of the tomb.[1] The tomb's chapel contained a limestone sarcophagus with a cat mummy inside.[2] Masonry work carried out in later periods covered wall paintings in the third chamber and included several pillars into the chamber's walls. Once uncovered, these pillars revealed paintings of Maia. A stela carved out of rock in the back of this room bears reliefs and inscriptions.[8]